1 00:00:05,840 --> 00:00:03,860 about interacting with the future 2 00:00:10,299 --> 00:00:05,850 evidence for consciousness extending 3 00:00:14,089 --> 00:00:10,309 outside of space-time so all yours bill 4 00:00:16,129 --> 00:00:14,099 is this turn on and you're all here okay 5 00:00:19,310 --> 00:00:16,139 fine wonderful okay well good afternoon 6 00:00:20,570 --> 00:00:19,320 and I'm ready to dive into the future I 7 00:00:23,060 --> 00:00:20,580 hope you are too 8 00:00:25,790 --> 00:00:23,070 so I want to begin by just making a 9 00:00:28,540 --> 00:00:25,800 little bit of a qualifying remark if you 10 00:00:32,169 --> 00:00:28,550 look at the bottom left side of my slide 11 00:00:35,629 --> 00:00:32,179 it's very clear photos by permission of 12 00:00:37,969 --> 00:00:35,639 Associated Press so I do have approval 13 00:00:41,029 --> 00:00:37,979 to use their photos in this presentation 14 00:00:44,360 --> 00:00:41,039 now when I went through the approval 15 00:00:46,969 --> 00:00:44,370 cycle they did ask a question wasn't 16 00:00:50,629 --> 00:00:46,979 sure how to answer it and they said what 17 00:00:52,279 --> 00:00:50,639 is the name of your project I didn't 18 00:00:56,809 --> 00:00:52,289 think I wanted to say it was for going 19 00:00:58,819 --> 00:00:56,819 outside of space-time so I chose a board 20 00:01:00,859 --> 00:00:58,829 that I'm sure they really understood 21 00:01:08,810 --> 00:01:00,869 real well I said it's for retro 22 00:01:11,450 --> 00:01:08,820 causation and had no problem I first 23 00:01:13,760 --> 00:01:11,460 became interested in time from the 24 00:01:16,399 --> 00:01:13,770 research and experiential point of view 25 00:01:17,209 --> 00:01:16,409 when I came across this book in the mid 26 00:01:21,310 --> 00:01:17,219 70s 27 00:01:24,590 --> 00:01:21,320 now I had a series or a long history of 28 00:01:27,349 --> 00:01:24,600 spontaneous precognitive dreams all my 29 00:01:31,399 --> 00:01:27,359 life but here was a case in this book 30 00:01:34,389 --> 00:01:31,409 written by John Donne back in the early 31 00:01:38,060 --> 00:01:34,399 nineteen hundred's 1920 was published in 32 00:01:41,029 --> 00:01:38,070 1927 an aeronautical engineer one of the 33 00:01:45,319 --> 00:01:41,039 leading arrows of England at the time 34 00:01:48,340 --> 00:01:45,329 and I had a special affinity for his 35 00:01:51,590 --> 00:01:48,350 life work because my background is also 36 00:01:56,359 --> 00:01:51,600 aeronautical engineering until I am 37 00:02:00,849 --> 00:01:56,369 transitioned to the other realm not John 38 00:02:04,870 --> 00:02:00,859 Donne and many of his spontaneous dreams 39 00:02:08,450 --> 00:02:04,880 would dream for example of a fire in 40 00:02:10,969 --> 00:02:08,460 France in Paris and then read about it 41 00:02:14,130 --> 00:02:10,979 in a newspaper about two or three days 42 00:02:16,140 --> 00:02:14,140 later he also dreamed about a ball 43 00:02:19,260 --> 00:02:16,150 exploding in the Caribbean let's see I 44 00:02:21,540 --> 00:02:19,270 was Mount Paley and he had pretty good 45 00:02:24,240 --> 00:02:21,550 accuracy of that one to several days 46 00:02:27,150 --> 00:02:24,250 before he learned about it in a 47 00:02:29,910 --> 00:02:27,160 newspaper in addition to other incidents 48 00:02:33,090 --> 00:02:29,920 having to reload accidents personal 49 00:02:36,240 --> 00:02:33,100 experiences and whatever so it really 50 00:02:39,990 --> 00:02:36,250 attracted toward his work I didn't have 51 00:02:43,790 --> 00:02:40,000 an opportunity to really take a look at 52 00:02:47,430 --> 00:02:43,800 the field from other than a personal 53 00:02:51,240 --> 00:02:47,440 spontaneous point of view until about 54 00:02:55,260 --> 00:02:51,250 ten ten years ago when I set aside time 55 00:02:58,979 --> 00:02:55,270 to really can I or anyone that I worked 56 00:03:01,620 --> 00:02:58,989 with or know about experience the 57 00:03:03,870 --> 00:03:01,630 headlines of a newspaper of photographs 58 00:03:08,430 --> 00:03:03,880 that might be put in a newspaper several 59 00:03:10,830 --> 00:03:08,440 days ahead in time so I did that and had 60 00:03:15,660 --> 00:03:10,840 the first work published in the journal 61 00:03:19,560 --> 00:03:15,670 of the society about seven years ago now 62 00:03:21,900 --> 00:03:19,570 I'm not going to recent work now what 63 00:03:24,539 --> 00:03:21,910 I'm doing recently and this goes back 64 00:03:27,420 --> 00:03:24,549 about a year and a half now and what 65 00:03:32,009 --> 00:03:27,430 I've chosen to do is focus on a very 66 00:03:34,590 --> 00:03:32,019 specific place in a local newspaper in 67 00:03:37,229 --> 00:03:34,600 that specific place as a title around 68 00:03:39,840 --> 00:03:37,239 the world there's only one picture in it 69 00:03:42,330 --> 00:03:39,850 and it's diverse content and a 70 00:03:45,330 --> 00:03:42,340 consistent schedule so that looks like a 71 00:03:48,690 --> 00:03:45,340 good target to go for no target being 72 00:03:51,870 --> 00:03:48,700 described that photograph that will be 73 00:03:55,170 --> 00:03:51,880 at that page at that position in a 74 00:03:59,220 --> 00:03:55,180 newspaper and the advantage of this is 75 00:04:02,509 --> 00:03:59,230 that it's seven days in the future now 76 00:04:06,300 --> 00:04:02,519 that precludes an existing target pool 77 00:04:09,030 --> 00:04:06,310 the event has not yet happened it's in 78 00:04:11,370 --> 00:04:09,040 the future the event usually occurs a 79 00:04:11,940 --> 00:04:11,380 day before as it published in the 80 00:04:13,920 --> 00:04:11,950 newspaper 81 00:04:18,659 --> 00:04:13,930 so I thought that would be a very good 82 00:04:21,509 --> 00:04:18,669 illustration of spontaneous precognition 83 00:04:24,630 --> 00:04:21,519 because most of the time those of us 84 00:04:25,920 --> 00:04:24,640 that have spontaneous experiences it's a 85 00:04:27,820 --> 00:04:25,930 hard way that people don't believe them 86 00:04:29,619 --> 00:04:27,830 we don't document them 87 00:04:33,129 --> 00:04:29,629 enough but here was a way of controlling 88 00:04:35,950 --> 00:04:33,139 it the fact that they don't exist at the 89 00:04:39,339 --> 00:04:35,960 time of the sessions and the colleague I 90 00:04:41,770 --> 00:04:39,349 worked with in Florida was quite 91 00:04:44,350 --> 00:04:41,780 proficient at remote viewing and also 92 00:04:46,629 --> 00:04:44,360 dream work and my specialty is actually 93 00:04:49,830 --> 00:04:46,639 a dream work although I also do remote 94 00:04:53,350 --> 00:04:49,840 viewing at times now I want to go into 95 00:04:55,050 --> 00:04:53,360 backtrack just in two examples one of 96 00:04:57,850 --> 00:04:55,060 the earlier versions of this 97 00:05:00,629 --> 00:04:57,860 experimental project going into the 98 00:05:03,399 --> 00:05:00,639 future news this was for only three days 99 00:05:05,529 --> 00:05:03,409 and this was a sketch and my colleague 100 00:05:07,540 --> 00:05:05,539 made and some words that you can see 101 00:05:09,850 --> 00:05:07,550 that describe the picture that she was 102 00:05:12,580 --> 00:05:09,860 perceiving in her remote viewing session 103 00:05:14,709 --> 00:05:12,590 and as you can see the sketch and the 104 00:05:17,290 --> 00:05:14,719 colors in the description are fairly 105 00:05:18,550 --> 00:05:17,300 close matches to that picture even 106 00:05:21,430 --> 00:05:18,560 though there's a lot of girls in there 107 00:05:23,830 --> 00:05:21,440 only one is sufficient really to 108 00:05:26,559 --> 00:05:23,840 identify that there was a hit here and 109 00:05:28,659 --> 00:05:26,569 in doing the statistics on it the judges 110 00:05:32,019 --> 00:05:28,669 had no trouble choosing this from an 111 00:05:35,740 --> 00:05:32,029 alternative picture here was one that I 112 00:05:37,659 --> 00:05:35,750 did now the one I just showed you was 113 00:05:40,350 --> 00:05:37,669 the picture that was probably planned 114 00:05:43,330 --> 00:05:40,360 the photographer knew he was going there 115 00:05:47,640 --> 00:05:43,340 now here's a case where it's an accident 116 00:05:51,070 --> 00:05:47,650 this bus crash occurred in western India 117 00:05:53,680 --> 00:05:51,080 three days before our three days after 118 00:05:57,159 --> 00:05:53,690 the session or the accident actually 119 00:06:00,129 --> 00:05:57,169 happened two days after the session in 120 00:06:03,269 --> 00:06:00,139 this particular case there were two 121 00:06:05,830 --> 00:06:03,279 dreams I came in with the intention of 122 00:06:09,219 --> 00:06:05,840 desiring to dream about that picture 123 00:06:14,860 --> 00:06:09,229 three days in the future one showed the 124 00:06:16,510 --> 00:06:14,870 bottom $1 these shapes and the lake and 125 00:06:19,360 --> 00:06:16,520 then the top one showed just the crowd 126 00:06:21,249 --> 00:06:19,370 so it was about I think a reasonably 127 00:06:24,689 --> 00:06:21,259 good correlation and the judges had no 128 00:06:28,990 --> 00:06:24,699 trouble choosing this from a comparative 129 00:06:30,129 --> 00:06:29,000 alternative picture now in this case the 130 00:06:33,969 --> 00:06:30,139 eye it was an accident 131 00:06:36,279 --> 00:06:33,979 nobody was planning this so here it was 132 00:06:40,420 --> 00:06:36,289 an example of three days ahead we 133 00:06:40,719 --> 00:06:40,430 perceived an accident now when you go to 134 00:06:43,689 --> 00:06:40,729 the 135 00:06:47,409 --> 00:06:43,699 her cycle started just about a year and 136 00:06:49,209 --> 00:06:47,419 a half ago and this was the first one 137 00:06:53,170 --> 00:06:49,219 that I did 138 00:06:56,140 --> 00:06:53,180 looking seven days ahead in time to that 139 00:07:00,640 --> 00:06:56,150 spot in a newspaper this was kind of 140 00:07:03,999 --> 00:07:00,650 interesting the shape and the figure you 141 00:07:07,600 --> 00:07:04,009 see in the bottom the way this dream was 142 00:07:13,469 --> 00:07:07,610 presented there's a there's a table and 143 00:07:16,959 --> 00:07:13,479 as a projector and the projector Shone's 144 00:07:20,829 --> 00:07:16,969 projected whoops wrong way projected on 145 00:07:22,929 --> 00:07:20,839 the wall several figures that were 146 00:07:26,290 --> 00:07:22,939 really unusual looking that reminded me 147 00:07:29,369 --> 00:07:26,300 of zombies and one of the figures walked 148 00:07:32,860 --> 00:07:29,379 out of the picture and came toward me 149 00:07:36,429 --> 00:07:32,870 now the dream is becoming elusive and 150 00:07:40,499 --> 00:07:36,439 I'm now looking at the strange figure in 151 00:07:44,409 --> 00:07:40,509 the dream right in front of me I'm lucid 152 00:07:46,600 --> 00:07:44,419 now had I not realized that this was an 153 00:07:49,749 --> 00:07:46,610 experimental situation it could have 154 00:07:53,769 --> 00:07:49,759 been kind of frightening so this figure 155 00:07:57,760 --> 00:07:53,779 actually came out of the wall it's a 156 00:07:59,920 --> 00:07:57,770 picture of a carnival in Brazil and the 157 00:08:02,529 --> 00:07:59,930 figure I saw was further 158 00:08:05,110 --> 00:08:02,539 grotesque-looking covered with all kinds 159 00:08:09,719 --> 00:08:05,120 of weird coils and shapes and strings 160 00:08:12,850 --> 00:08:09,729 and garbage so that matches the picture 161 00:08:17,189 --> 00:08:12,860 now here's an example which is fairly 162 00:08:21,689 --> 00:08:17,199 clean the photograph seven days later is 163 00:08:25,869 --> 00:08:21,699 quite structural mostly linear shapes 164 00:08:27,939 --> 00:08:25,879 and this was fairly easy to perceive in 165 00:08:30,189 --> 00:08:27,949 a dream just looking at these structures 166 00:08:33,159 --> 00:08:30,199 and therefore fairly easy to remember 167 00:08:36,759 --> 00:08:33,169 afterwards and this illustrates a point 168 00:08:38,019 --> 00:08:36,769 I found over the years for those that do 169 00:08:40,209 --> 00:08:38,029 this kind of work you might want to 170 00:08:44,230 --> 00:08:40,219 think about this for the selecting carny 171 00:08:46,180 --> 00:08:44,240 pools whenever there is a picture then 172 00:08:48,910 --> 00:08:46,190 you want you remove viewer or your 173 00:08:51,670 --> 00:08:48,920 psychic person to describe it's a good 174 00:08:54,130 --> 00:08:51,680 idea to have all if you're doing 175 00:08:54,710 --> 00:08:54,140 contrasting pictures have one that's all 176 00:09:02,000 --> 00:08:54,720 linear 177 00:09:05,030 --> 00:09:02,010 that's all you're going to get all 178 00:09:08,270 --> 00:09:05,040 linear shapes if it's all nonlinear 179 00:09:09,470 --> 00:09:08,280 you'll get none linear primarily so it 180 00:09:11,360 --> 00:09:09,480 doesn't matter what you call them 181 00:09:16,070 --> 00:09:11,370 the judge will have no trouble deciding 182 00:09:20,000 --> 00:09:16,080 between linear and non-linear now in 183 00:09:22,760 --> 00:09:20,010 this one moving ahead to another part of 184 00:09:25,750 --> 00:09:22,770 the series that was actually a few 185 00:09:29,180 --> 00:09:25,760 months later this was a more difficult 186 00:09:35,120 --> 00:09:29,190 perception again it's seven days in the 187 00:09:39,170 --> 00:09:35,130 future this was a photograph of a 188 00:09:42,380 --> 00:09:39,180 demonstration in Korea South Korea the 189 00:09:45,380 --> 00:09:42,390 Buddhists they were demonstrating 190 00:09:48,260 --> 00:09:45,390 against nuclear energy now what made 191 00:09:52,550 --> 00:09:48,270 this particular experience unique was in 192 00:09:55,630 --> 00:09:52,560 the dream context in the ended in all 193 00:09:58,900 --> 00:09:55,640 the imagery that occurred in the dream 194 00:10:02,870 --> 00:09:58,910 there was a very distinct theme of 195 00:10:05,120 --> 00:10:02,880 anti-nuclear sentiment and the only way 196 00:10:08,240 --> 00:10:05,130 you can deduce that by looking at the 197 00:10:11,000 --> 00:10:08,250 picture is if you read the caption 198 00:10:14,000 --> 00:10:11,010 underneath the picture which said very 199 00:10:18,110 --> 00:10:14,010 clearly this was a nuclear demonstration 200 00:10:20,630 --> 00:10:18,120 in South Korea anti-new killer the other 201 00:10:25,420 --> 00:10:20,640 way you can deduce the meaning from this 202 00:10:28,240 --> 00:10:25,430 is if you can read Korean which I can't 203 00:10:31,880 --> 00:10:28,250 and then was if you notice on the bottom 204 00:10:34,730 --> 00:10:31,890 corner of the sketch and an attempt to 205 00:10:37,700 --> 00:10:34,740 draw a language or something 206 00:10:43,100 --> 00:10:37,710 I thought it was Chinese the but it was 207 00:10:46,630 --> 00:10:43,110 actually the Korean language now on this 208 00:10:51,860 --> 00:10:46,640 one illustrates the again the problem of 209 00:10:53,900 --> 00:10:51,870 nonlinear and confusing boundaries and 210 00:10:57,050 --> 00:10:53,910 this is one of the difficulties I've 211 00:11:00,140 --> 00:10:57,060 seen over the years in doing error V 212 00:11:03,260 --> 00:11:00,150 work and other kinds of side work with 213 00:11:05,990 --> 00:11:03,270 pictures if you're not careful about the 214 00:11:08,460 --> 00:11:06,000 boundaries and their color contrast that 215 00:11:11,430 --> 00:11:08,470 makes it very difficult 216 00:11:16,350 --> 00:11:11,440 the viewer the dreamer and especially 217 00:11:19,700 --> 00:11:16,360 the judges so I was a the dream itself 218 00:11:23,400 --> 00:11:19,710 was presented in the context of a bird 219 00:11:26,190 --> 00:11:23,410 flying toward somebody who put up his 220 00:11:29,810 --> 00:11:26,200 hand and grabbed the bird to do 221 00:11:33,240 --> 00:11:29,820 something with it so the context is off 222 00:11:35,100 --> 00:11:33,250 but the forms and the shapes tend to 223 00:11:38,670 --> 00:11:35,110 converge even though they're not 224 00:11:41,520 --> 00:11:38,680 accurate so if this were a contrasting 225 00:11:43,380 --> 00:11:41,530 picture like in a binary method and the 226 00:11:45,780 --> 00:11:43,390 other picture was only none was only 227 00:11:47,970 --> 00:11:45,790 linear shapes a judge shouldn't have too 228 00:11:52,560 --> 00:11:47,980 much trouble choosing this one even 229 00:11:55,410 --> 00:11:52,570 though you might argue it's not a dog on 230 00:12:01,350 --> 00:11:55,420 the other hand you could argue it's a 231 00:12:03,660 --> 00:12:01,360 bird dog so we sometimes want to push 232 00:12:06,210 --> 00:12:03,670 the limits of how we interpret stuff but 233 00:12:09,690 --> 00:12:06,220 interpretation is really a big issue and 234 00:12:11,340 --> 00:12:09,700 I've went into this ever since 1976 when 235 00:12:13,530 --> 00:12:11,350 I first became involved with remote 236 00:12:17,370 --> 00:12:13,540 viewing resource you can do a wonderful 237 00:12:19,110 --> 00:12:17,380 job and drawing and sketching but if you 238 00:12:21,900 --> 00:12:19,120 want to go into some level of 239 00:12:23,430 --> 00:12:21,910 determining what it is he perceived are 240 00:12:25,260 --> 00:12:23,440 you running into some difficulty 241 00:12:27,180 --> 00:12:25,270 particularly if you want to get to be 242 00:12:30,150 --> 00:12:27,190 very specific and what what the 243 00:12:31,980 --> 00:12:30,160 perception was presenting to you one of 244 00:12:35,130 --> 00:12:31,990 the difficulties in the field in general 245 00:12:40,170 --> 00:12:35,140 is the interpretation of what you 246 00:12:42,540 --> 00:12:40,180 perceive now this one here got me to 247 00:12:45,240 --> 00:12:42,550 thinking and I should have done a lot of 248 00:12:50,070 --> 00:12:45,250 thinking long before I got to this point 249 00:12:52,770 --> 00:12:50,080 in my trial was through the future it 250 00:12:56,720 --> 00:12:52,780 was my issue with this the picture is 251 00:12:59,400 --> 00:12:56,730 seven days ahead the sketch is kind of 252 00:13:01,560 --> 00:12:59,410 partially there but it's clear enough 253 00:13:04,380 --> 00:13:01,570 that it judge should be able to select 254 00:13:08,430 --> 00:13:04,390 this from an alternative the dream 255 00:13:10,200 --> 00:13:08,440 presented people crossing a river one 256 00:13:12,900 --> 00:13:10,210 person has something like a black hat on 257 00:13:15,570 --> 00:13:12,910 although in an actual picture it's a 258 00:13:18,180 --> 00:13:15,580 some kind of package another person was 259 00:13:21,360 --> 00:13:18,190 carrying a white something that didn't 260 00:13:22,380 --> 00:13:21,370 name it which is one of the figures in 261 00:13:26,370 --> 00:13:22,390 the foreground is doing 262 00:13:28,590 --> 00:13:26,380 that these are migrants crossing the 263 00:13:29,720 --> 00:13:28,600 river in Mexico between Mexico and 264 00:13:32,070 --> 00:13:29,730 Guatemala 265 00:13:37,850 --> 00:13:32,080 now what got me to thinking about this 266 00:13:41,520 --> 00:13:37,860 is here is a picture that I don't see 267 00:13:44,460 --> 00:13:41,530 for seven days the event doesn't happen 268 00:13:46,610 --> 00:13:44,470 for six days so here are people at that 269 00:13:50,120 --> 00:13:46,620 spot in the river there's the river 270 00:13:51,780 --> 00:13:50,130 there were the ripples in at the river I 271 00:13:53,970 --> 00:13:51,790 can imagine 272 00:13:56,190 --> 00:13:53,980 had there been a telephoto lens that the 273 00:13:58,320 --> 00:13:56,200 photographer used he got to going right 274 00:14:02,010 --> 00:13:58,330 down into the details and found that 275 00:14:05,280 --> 00:14:02,020 mosquito when that person is back now 276 00:14:08,250 --> 00:14:05,290 this is seven days ahead would the river 277 00:14:11,520 --> 00:14:08,260 and the ripple and the wind and the 278 00:14:18,120 --> 00:14:11,530 mosquito still be in the perception of 279 00:14:19,880 --> 00:14:18,130 the future I think so and when you 280 00:14:23,310 --> 00:14:19,890 coming from an engineering background 281 00:14:25,440 --> 00:14:23,320 I'd like to get boundary conditions okay 282 00:14:26,610 --> 00:14:25,450 so you go to the edge all of a sudden 283 00:14:27,110 --> 00:14:26,620 the world was an end there's not a 284 00:14:29,250 --> 00:14:27,120 fighter 285 00:14:30,090 --> 00:14:29,260 so if I go a little bit to the left of 286 00:14:33,150 --> 00:14:30,100 the picture a little bit to the right 287 00:14:34,910 --> 00:14:33,160 the river still goes on there are other 288 00:14:37,650 --> 00:14:34,920 migrants to the right it to the left 289 00:14:40,290 --> 00:14:37,660 another photographer would have contact 290 00:14:42,120 --> 00:14:40,300 a panoramic view of 100 photographers 291 00:14:45,950 --> 00:14:42,130 would be prevented presented the entire 292 00:14:50,490 --> 00:14:45,960 River stretch seven days in the future 293 00:14:52,710 --> 00:14:50,500 so I mean you wonder about time and I 294 00:14:56,340 --> 00:14:52,720 should have done this a lot earlier in 295 00:14:59,700 --> 00:14:56,350 my life where what is the future or is 296 00:15:01,620 --> 00:14:59,710 it how good I'm gonna claiming perfect 297 00:15:05,100 --> 00:15:01,630 accuracy with this but illustrative 298 00:15:07,950 --> 00:15:05,110 point if this can be done by myself or 299 00:15:11,550 --> 00:15:07,960 anyone what does that tell us about the 300 00:15:13,650 --> 00:15:11,560 future fate and free will where is it 301 00:15:18,060 --> 00:15:13,660 in his picture of the universe that we 302 00:15:22,950 --> 00:15:18,070 have well not all went well the 303 00:15:25,950 --> 00:15:22,960 newspaper went to chapter 11 and it's 304 00:15:28,470 --> 00:15:25,960 probably going to be closing so what we 305 00:15:32,400 --> 00:15:28,480 had to do was shift our focus not just 306 00:15:35,460 --> 00:15:32,410 to that particular nice defined picture 307 00:15:36,290 --> 00:15:35,470 on the around the world session but 308 00:15:39,259 --> 00:15:36,300 where 309 00:15:41,900 --> 00:15:39,269 else can be obtained information in the 310 00:15:46,160 --> 00:15:41,910 newspaper so what was then happening or 311 00:15:48,169 --> 00:15:46,170 pictures that we saw of local news this 312 00:15:53,480 --> 00:15:48,179 was an accident that occurred near my 313 00:15:56,150 --> 00:15:53,490 hometown so because we no longer can 314 00:15:59,150 --> 00:15:56,160 work on the fixed picture but just I 315 00:16:04,340 --> 00:15:59,160 decided to shift the focus entirely to 316 00:16:07,910 --> 00:16:04,350 any event so on February the 18th 2019 317 00:16:09,799 --> 00:16:07,920 the focus was to dream about have a 318 00:16:12,230 --> 00:16:09,809 dream that presents a significant news 319 00:16:14,749 --> 00:16:12,240 event that will be published in February 320 00:16:18,679 --> 00:16:14,759 24 very specific day six days in the 321 00:16:21,710 --> 00:16:18,689 future so the dream happens and I'm 322 00:16:25,100 --> 00:16:21,720 working at an airplane flying over a low 323 00:16:28,160 --> 00:16:25,110 body of water an airplane crashes 324 00:16:35,319 --> 00:16:28,170 straight down and into the bay it looks 325 00:16:41,449 --> 00:16:35,329 like a bay I thought was a Boeing 737 so 326 00:16:45,169 --> 00:16:41,459 six days later there is a crash in 327 00:16:48,769 --> 00:16:45,179 Trinity Bay on that day of Boeing 767 328 00:16:50,960 --> 00:16:48,779 Christ that's the wrong airplane so I 329 00:16:54,829 --> 00:16:50,970 decided to ask my colleague in Florida 330 00:16:55,189 --> 00:16:54,839 to work on a similar task some days 331 00:16:58,039 --> 00:16:55,199 ahead 332 00:16:59,629 --> 00:16:58,049 March 3 what it was a photograph that 333 00:17:02,720 --> 00:16:59,639 will be published in the world is 334 00:17:05,299 --> 00:17:02,730 suction somewhere in the newspaper one 335 00:17:08,449 --> 00:17:05,309 week from now so she describes a field 336 00:17:12,409 --> 00:17:08,459 that's barren with the tractor in it 337 00:17:15,579 --> 00:17:12,419 and people standing around and it 338 00:17:19,250 --> 00:17:15,589 matches the crash site of the Boeing 737 339 00:17:21,949 --> 00:17:19,260 that crashed in Ethiopia she didn't 340 00:17:24,740 --> 00:17:21,959 perceive the airplane go down but the 341 00:17:28,399 --> 00:17:24,750 crash site itself is a finger print of 342 00:17:32,450 --> 00:17:28,409 the future it looks like we also had a 343 00:17:35,779 --> 00:17:32,460 perception of that tragedy she also had 344 00:17:38,180 --> 00:17:35,789 one of a dam that Burt burst seven days 345 00:17:41,090 --> 00:17:38,190 ahead and found that you know stream 346 00:17:43,430 --> 00:17:41,100 news that she looked at then I had one 347 00:17:45,799 --> 00:17:43,440 of a tremendous fire raging through the 348 00:17:50,050 --> 00:17:45,809 city and that turned out to correlate 349 00:17:53,410 --> 00:17:50,060 was the Notre Dame fire so what I have 350 00:17:55,730 --> 00:17:53,420 so in looking over the future news and 351 00:17:58,250 --> 00:17:55,740 many future these projects I've done 352 00:18:01,430 --> 00:17:58,260 over the years now we're going to see 353 00:18:02,900 --> 00:18:01,440 that something that might be interactive 354 00:18:04,550 --> 00:18:02,910 here even though what I've shown you 355 00:18:06,650 --> 00:18:04,560 here we're kind of fixed 356 00:18:08,960 --> 00:18:06,660 I have other examples are not in this 357 00:18:11,930 --> 00:18:08,970 talk or you can actually alter the 358 00:18:15,380 --> 00:18:11,940 future at a personal level so I'm going 359 00:18:17,570 --> 00:18:15,390 to see in my mind a new way of looking 360 00:18:19,550 --> 00:18:17,580 at the future new to me and maybe new to 361 00:18:21,770 --> 00:18:19,560 a lot of people to think about the 362 00:18:26,090 --> 00:18:21,780 future is interactive adjustable 363 00:18:28,910 --> 00:18:26,100 probable then allows one to be more 364 00:18:32,420 --> 00:18:28,920 proactive with intuition has to do with 365 00:18:34,340 --> 00:18:32,430 future incidents silence being on alert 366 00:18:36,230 --> 00:18:34,350 and I'm really interested right now in 367 00:18:37,640 --> 00:18:36,240 setting up precognitive dreams and I'm 368 00:18:39,530 --> 00:18:37,650 probably going to be doing that in the 369 00:18:42,170 --> 00:18:39,540 local area - there are other 370 00:18:44,150 --> 00:18:42,180 implications - about the universe as if 371 00:18:46,700 --> 00:18:44,160 the lock is it holographic in nature 372 00:18:48,890 --> 00:18:46,710 it's non-local I tend to think of a non 373 00:18:51,560 --> 00:18:48,900 locality in a different sense I think of 374 00:18:53,450 --> 00:18:51,570 nonlocality non locality of non locality 375 00:18:55,160 --> 00:18:53,460 because if you're going beyond 376 00:18:57,200 --> 00:18:55,170 space-time like I think we're happening 377 00:19:00,050 --> 00:18:57,210 in the future this is not local anymore 378 00:19:03,770 --> 00:19:00,060 beyond non locality you release the 379 00:19:06,260 --> 00:19:03,780 concilium and interacting with the 380 00:19:08,770 --> 00:19:06,270 future can be either accepting and 381 00:19:10,910 --> 00:19:08,780 perceiving a projection from something 382 00:19:13,400 --> 00:19:10,920 collective unconscious universal mind 383 00:19:16,010 --> 00:19:13,410 sources signal from something retro cons 384 00:19:18,620 --> 00:19:16,020 a Shanaya life the future can doesn't 385 00:19:21,260 --> 00:19:18,630 have to but it can influence the present 386 00:19:23,960 --> 00:19:21,270 in the past and one of the best ways of 387 00:19:25,880 --> 00:19:23,970 seeing us in your own life it's through 388 00:19:27,860 --> 00:19:25,890 synchronicity now you have an 389 00:19:29,960 --> 00:19:27,870 interactive process going on all the 390 00:19:32,720 --> 00:19:29,970 time with something in the future that 391 00:19:36,110 --> 00:19:32,730 you will be meeting up with so I feel 392 00:19:37,640 --> 00:19:36,120 synchronicity and precognition are the 393 00:19:40,760 --> 00:19:37,650 same thing or just a different way of 394 00:19:44,290 --> 00:19:40,770 activating the result synchronicity 395 00:19:47,450 --> 00:19:44,300 again I see as a fundamental unifying 396 00:19:49,520 --> 00:19:47,460 principle its subconscious orchestrating 397 00:19:52,340 --> 00:19:49,530 it selects and aligns future 398 00:19:54,830 --> 00:19:52,350 possibilities ahead of us no matter how 399 00:19:56,630 --> 00:19:54,840 many trillions of out there it is eros 400 00:19:59,090 --> 00:19:56,640 and under one or two that are meaningful 401 00:20:01,490 --> 00:19:59,100 to us relations of retro conversation 402 00:20:03,430 --> 00:20:01,500 and I'm a little surprised and I haven't 403 00:20:06,670 --> 00:20:03,440 heard anything so far in the conference 404 00:20:10,890 --> 00:20:06,680 about the role of sign evolution how can 405 00:20:13,750 --> 00:20:10,900 you not have a role in evolution and 406 00:20:15,550 --> 00:20:13,760 synchronicity is I think a key aspect of 407 00:20:19,000 --> 00:20:15,560 concilium what am I going to do in the 408 00:20:21,400 --> 00:20:19,010 future okay I'll stay with staying with 409 00:20:23,500 --> 00:20:21,410 a future event I have to get away from a 410 00:20:26,920 --> 00:20:23,510 fixed picture and go with any 411 00:20:30,340 --> 00:20:26,930 significant event one to two in weeks in 412 00:20:33,070 --> 00:20:30,350 the future but now that the goal is 413 00:20:37,060 --> 00:20:33,080 higher I have to go for a specific 414 00:20:39,760 --> 00:20:37,070 locations and causes what caused the 415 00:20:42,760 --> 00:20:39,770 accident where is it and there's only if 416 00:20:45,580 --> 00:20:42,770 we can do that can we begin to reconnect 417 00:20:56,290 --> 00:20:45,590 and maybe adjust and maybe prevent some 418 00:21:01,020 --> 00:20:56,300 of these catastrophes thank you okay we 419 00:21:09,340 --> 00:21:08,050 Cole scoff Dale so I guess just kind of 420 00:21:16,180 --> 00:21:09,350 a pragmatic question when you're 421 00:21:18,430 --> 00:21:16,190 designing the these studies when the the 422 00:21:22,420 --> 00:21:18,440 the subject becomes associated with the 423 00:21:24,270 --> 00:21:22,430 experiment I'm just kind of kind of 424 00:21:27,970 --> 00:21:24,280 thinking about how some of these images 425 00:21:30,730 --> 00:21:27,980 the drawings seem to represent the scene 426 00:21:32,950 --> 00:21:30,740 more generally and some seem to 427 00:21:35,170 --> 00:21:32,960 represent the target as a photograph 428 00:21:40,030 --> 00:21:35,180 right like a field view versus an 429 00:21:41,710 --> 00:21:40,040 observer view of the scene yeah and and 430 00:21:43,480 --> 00:21:41,720 I mean it's particularly the case with 431 00:21:45,220 --> 00:21:43,490 like the bird dog displacement effect 432 00:21:48,400 --> 00:21:45,230 that seemed to kind of capture the 433 00:21:50,770 --> 00:21:48,410 photograph not necessarily the the 434 00:21:52,120 --> 00:21:50,780 content to the scene so right I was 435 00:21:54,160 --> 00:21:52,130 hoping you could speculate a little bit 436 00:21:55,870 --> 00:21:54,170 as there is there something about the 437 00:21:57,580 --> 00:21:55,880 design or the instructions or the 438 00:21:59,440 --> 00:21:57,590 person's interpretation or how their 439 00:22:01,600 --> 00:21:59,450 subconscious interprets the instructions 440 00:22:03,130 --> 00:22:01,610 that they're they're given or is there 441 00:22:06,460 --> 00:22:03,140 something specific about the targets 442 00:22:08,350 --> 00:22:06,470 that might pull one into more of a view 443 00:22:10,330 --> 00:22:08,360 of the image versus a view of the scene 444 00:22:13,420 --> 00:22:10,340 in the in the dream content I think the 445 00:22:15,760 --> 00:22:13,430 key is in the picture itself if you have 446 00:22:16,180 --> 00:22:15,770 blurred boundaries and color contrasts 447 00:22:18,879 --> 00:22:16,190 there 448 00:22:21,220 --> 00:22:18,889 that great you're gonna smother yourself 449 00:22:23,680 --> 00:22:21,230 all over the place you know imagine 450 00:22:25,810 --> 00:22:23,690 yourself being in a flash picture just 451 00:22:28,330 --> 00:22:25,820 flash something up and back off what 452 00:22:30,340 --> 00:22:28,340 will you remember of it and what I do 453 00:22:34,419 --> 00:22:30,350 sometimes when I have some question 454 00:22:37,649 --> 00:22:34,429 about the validity of a target for good 455 00:22:41,379 --> 00:22:37,659 it might be I copy it in black and white 456 00:22:43,240 --> 00:22:41,389 to destroyed the color contrast because 457 00:22:45,730 --> 00:22:43,250 a lot of my experience I've had in the 458 00:22:47,950 --> 00:22:45,740 past you viewers don't always perceive 459 00:22:50,289 --> 00:22:47,960 in black and white in fact something you 460 00:22:52,149 --> 00:22:50,299 do initially so if you look at it from a 461 00:22:53,680 --> 00:22:52,159 black-and-white perspective now you 462 00:22:55,509 --> 00:22:53,690 begin to see the importance of 463 00:22:57,730 --> 00:22:55,519 boundaries and that picture is the bird 464 00:23:00,340 --> 00:22:57,740 dogs you can see everything was smeared 465 00:23:02,080 --> 00:23:00,350 together there was no clear boundary you 466 00:23:04,480 --> 00:23:02,090 really have to stop and look at it and 467 00:23:06,279 --> 00:23:04,490 it took me a few minutes of studying it 468 00:23:07,749 --> 00:23:06,289 to really understand what it was and 469 00:23:12,399 --> 00:23:07,759 then I have to read the caption to be 470 00:23:17,919 --> 00:23:12,409 sure so it's a target wailing yeah great 471 00:23:20,080 --> 00:23:17,929 thank you you were talking about 472 00:23:21,340 --> 00:23:20,090 possibly forming precognitive teams 473 00:23:24,340 --> 00:23:21,350 locally have you ever thought about 474 00:23:26,350 --> 00:23:24,350 expanding that to a global level like 475 00:23:29,980 --> 00:23:26,360 having participants from all over 476 00:23:32,590 --> 00:23:29,990 I tried done in the year 2000 and 477 00:23:33,210 --> 00:23:32,600 created a nice little acronym for it in 478 00:23:37,899 --> 00:23:33,220 fact 479 00:23:39,669 --> 00:23:37,909 international precognitive team 480 00:23:42,190 --> 00:23:39,679 something like that I forgot it forgot 481 00:23:45,580 --> 00:23:42,200 what it meant and the problem I ran into 482 00:23:48,039 --> 00:23:45,590 I got swamped I couldn't handle the 483 00:23:51,490 --> 00:23:48,049 input and this is when I was still in 484 00:23:53,649 --> 00:23:51,500 the weak side of the digital divide I'm 485 00:23:55,210 --> 00:23:53,659 not that far ahead of it now I just 486 00:23:58,720 --> 00:23:55,220 couldn't handle the Dana this is John 487 00:24:01,480 --> 00:23:58,730 quit but by keeping it local very few 488 00:24:03,580 --> 00:24:01,490 people that I personally can handle now 489 00:24:04,930 --> 00:24:03,590 bits computer work you should be able to 490 00:24:12,730 --> 00:24:04,940 expand this and to make it more 491 00:24:14,499 --> 00:24:12,740 universal so if you do this any 492 00:24:16,840 --> 00:24:14,509 significant event one week in the future 493 00:24:18,460 --> 00:24:16,850 two weeks in the future idea so instead 494 00:24:21,549 --> 00:24:18,470 of pinpointing a time just looking at 495 00:24:24,340 --> 00:24:21,559 any significant events are you hearing 496 00:24:26,889 --> 00:24:24,350 me could you repeat the question yeah so 497 00:24:28,570 --> 00:24:26,899 this idea of looking for any significant 498 00:24:29,620 --> 00:24:28,580 event one week or two weeks into the 499 00:24:32,920 --> 00:24:29,630 future rather than a specific 500 00:24:33,880 --> 00:24:32,930 victime this idea on that slide yeah 501 00:24:37,180 --> 00:24:33,890 yeah 502 00:24:39,220 --> 00:24:37,190 so it's kind of going away from I mean 503 00:24:41,500 --> 00:24:39,230 it's going towards con from what people 504 00:24:43,960 --> 00:24:41,510 will call confirmation bias right so 505 00:24:46,630 --> 00:24:43,970 you'll go search for the the that your 506 00:24:49,750 --> 00:24:46,640 so my concern is this so so my question 507 00:24:51,640 --> 00:24:49,760 is this would you be willing to take the 508 00:24:54,850 --> 00:24:51,650 data that you already have and give it 509 00:24:57,580 --> 00:24:54,860 to someone yeah 510 00:24:59,680 --> 00:24:57,590 and with yeah and the previous work I 511 00:25:02,620 --> 00:24:59,690 did I did that and that eventually 512 00:25:04,420 --> 00:25:02,630 became published somewhere okay did you 513 00:25:06,340 --> 00:25:04,430 do that again because I think before you 514 00:25:09,250 --> 00:25:06,350 go into this confirmation bias a 515 00:25:11,680 --> 00:25:09,260 confirmation bias plans emanated if you 516 00:25:13,480 --> 00:25:11,690 get very specific for example I had that 517 00:25:16,420 --> 00:25:13,490 fire there I usually don't show fires 518 00:25:19,240 --> 00:25:16,430 and adjudication a dream and fire but 519 00:25:21,820 --> 00:25:19,250 having worked in sort of a dream work 520 00:25:24,610 --> 00:25:21,830 community for many years many people 521 00:25:26,230 --> 00:25:24,620 doing the fires from the sertapedic 522 00:25:28,990 --> 00:25:26,240 point of view they symbolized something 523 00:25:29,890 --> 00:25:29,000 like angry so I look at that and say no 524 00:25:32,080 --> 00:25:29,900 it's not that 525 00:25:34,960 --> 00:25:32,090 so I don't usually include that in my 526 00:25:38,320 --> 00:25:34,970 data but this was so powerful I did so I 527 00:25:39,850 --> 00:25:38,330 don't consider it valid but if I would 528 00:25:42,880 --> 00:25:39,860 have had Notre Dame that would be 529 00:25:45,820 --> 00:25:42,890 different yeah so anytime in the future 530 00:25:48,160 --> 00:25:45,830 if I'm going to be using any news it has 531 00:25:50,320 --> 00:25:48,170 to be in that day seven days 14 days 532 00:25:53,190 --> 00:25:50,330 okay don't count so by the way I'm 533 00:25:57,280 --> 00:25:53,200 eliminating a big source of criticism 534 00:25:59,740 --> 00:25:57,290 the other is how accurate is it is it 535 00:26:02,170 --> 00:25:59,750 Notre Dame as it powers is it New York 536 00:26:04,120 --> 00:26:02,180 City you know if you get down into that 537 00:26:08,340 --> 00:26:04,130 detail where's it worse as a